Sunday, February 17, 2019
Dogma :: essays papers
preceptDogma is the latest movie from director Kevin metalworker, whose previous movies Clerks, snapperrats, and Chasing Amy have induce cult hits. This movie should be no different from the last three. metalworker has more star power then ever to work with in this movie with such stars as Ben Affleck (who had a part in the Mallrats), bland Damon, Chris Rock, Linda Fiorentino, Salma Hayek, and even rocker Alanis Morissette as perfection.The story is ab give away two locomote angels, Affleck, and Damon, who has spent the last two thousand years on terra firma and are looking to find their way back to heaven. But if they conk out their wish and pass through the archway of St. Michaels Church record would be reversed and mankind will be destroyed. So God picks an abortion clinic worker, Fiorentino, along with the 13th apostle, Rock, and two profits, Jay and Silent docking facility (both from Clerks, and Mallrats) to close up the two angels. Smith knows how to direct a great m ovie with out the high budget explosive action, and special effects. He can cod you in with great dialogue, and funny everyday situations. Smith can motor a serious subject matter, such as Christianity in the States today, and turn it into a funny comedy without coming off harsh. Smith first broke onto the scene with Clerks, A funny story of a convenient store worker who is called in on his day off, and a video store worker who wants nothing to do with the humans he so poorly serves. The movie is shot in black and white, hardly youll soon find yourself not even noticing it once you get locked into a great story. In Smiths next movie, Mallrats, Smith directs a story virtually a man who breaks up with her girlfriend because her father wants her to be a contestant on his new dating show on public access TV. But soon all hell breaks loose when the Mall security guard has other plans, but with the help of Jay and Silent Bob things at the mall are about to change.Chasing Amy was Smit hs last movie ahead
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